#BEST MOVIES FOR CINEMATOGRAPHY ALL TIME MOVIE#
#BEST MOVIES FOR CINEMATOGRAPHY ALL TIME FULL#

#BEST MOVIES FOR CINEMATOGRAPHY ALL TIME MOVIE#

To highlight how the same concept can be accomplished in different ways, we asked our interviewees if any of this yearвЂ™s Oscar nominees displayed some of the qualities of great movie title sequences. Jon opined that вЂњWhile so many title sequences these days are style over substance, this sequence was so confident in its understatement.вЂќ You could say that because itвЂ™s from a childвЂ™s point of view,В it had to be simple, but if you think about it (and especially if youвЂ™ve read the book), there were many options available to Stephen Frankfurt and yet he picked this one. Not to mention the sound design and music.вЂќД«y 1962, titles were already elaborate enough that the title sequence could have been much more complex В butВ actually,В simplicity is what makes it stand out. The macro-shots, those intimate compositions, and how you move from scene to scene is perfection. Explaining that вЂњtitles may be the very first thing you see, dropping you right into the narrative, perhaps giving you some backstory,вЂќ Karin finds it remarkable вЂњhow the opening titles get you right into ScoutвЂ™s mind and world. The sequence is very simple and probably easily replicable aside from the music composition. Scout hums first before the music swells, giving us even more of a sense that she is taking us into the story. At one point a marble from the box rolls down from left to right, taking us from one title card to another. The camera gives the audience her point of view. We see her hand as she writes and colors. It comprises shots of the вЂњtreasure boxвЂќ that belongs to the young narrator Scout. Stephen Frankfurt designed this title sequence. This may sound surprising to some, but when asked to name iconic movie title sequences off the tops of their heads, Karin, Michelle, and Jon all spontaneously cited this black and white classic from 1962. Jon Berkowitz, accomplished filmmaker, executive producer, and Imaginary Forces вЂњalumвЂќ, heads the creative team at Aspect. Emmy-nominated creative director Michelle Dougherty of Imaginary Forces. Emmy-award-winning creative director Karin Fong is a co-founder of Imaginary Forces. They give us their perspectives on what makes a title sequence for the ages and why theyвЂ™re a powerful tool for filmmakers.

These arenвЂ™t the only memorable movie title sequences worth examining, but they are a good start.ДЄnd because we know how subjective this topic is, we talked to three amazing Creative Directors in the field of title design and film marketing-Karin Fong and Michelle Dougherty of the award-winning creative studio Imaginary ForcesВ (behind iconic titles like Se7en, Mad Men and Stranger Things) and Jon Berkowitz, Creative Director at Aspect, HollywoodвЂ™s oldest film advertising company known for trailer campaigns from Forrest Gump to Deadpool to Solo: A Star Wars Story. Some of you will dismiss our list because we didnвЂ™t include a sequence you love. Some of you will disagree with our picks. We picked six iconic movie title sequences to see what makes them work and how they keep standing the test of time. (The 8+ minute opening to Roger AltmanвЂ™s 1992 film вЂњThe PlayerвЂќ famously praised long opening one takes by having one of its characters make a meta comment on the brilliance of Orson WellesвЂ™ opening to вЂњTouch of EvilвЂќ.) So what makes a title sequence truly unforgettable ? Or multiple combinations of the above or something else entirely. Even an abstract representation of the story or its themes. Or a prologue or the beginning of an epilogue. A condensed representation of the story or plot. A foreshadowing of the action or a counterpoint to it.

From a single long take that lasts several minutes and introduces the setting, characters, and the storyline, to an introduction to the protagonist. And yet movie title sequences run the gamut. These often have fifty or more of them without explanation or analysis or even any kind of categorization.

#BEST MOVIES FOR CINEMATOGRAPHY ALL TIME FULL#

The web is full of вЂњthe best movie title sequences of all timeвЂќ posts. Steven Spielberg was even cited in The EconomistВ saying that audience surveys show that people prefer вЂњfilms which start without any preamble, so he snips the opening credits off most of his movies (the snazzy cartoon at the beginning of Catch Me If You CanВ is a beloved outlier).вЂќ Some directors, such as Christopher Nolan for example, never use movie title sequences.

Can you describe the feeling a good title sequence gives you and how it does that as you watch it? Not popular with everyone It may even be the only thing you remember about that movie.

The chances are that you remember a movie title sequence that was better than the movie it preceded. If you love films, youвЂ™ll have seen dozens of great movie title sequences in your lifetime.

Best movies for cinematography all time